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Updated commissioned work.

General Motors for Bloomberg Businessweek

Photo editor: Emily Keegin

In the depths of last winter’s hell I went to General Motors in Detroit for a few days to photograph employees across the company’s sectors. 

Photo editor: Emily Keegin

Tunnel Vision for Indianapolis Monthly.

Photo editor: Todd Urban

The largest public-works project in Indianapolis history.

Photo editor: Todd Urban

Beate and Oliver.

I photographed Beate Geissler and Oliver Sann, an artist duo, with their family in Chicago for Japanese magazine Not Today

In the human cities, never again to
despise the backside of the city, the ghetto,
or build it again as we build the despised 
backsides of houses. Look at your own building
You are the city.

Among our secrecies, not to despise our Jews
(that is, ourselves) or our darkness, our blacks,
or in our sexuality wherever it takes us
and we now know we are productive
too productive, too reproductive
for our present invention – never to despise
the homosexual who goes building another

with touch with touch (not to despise any touch)
each like himself like herself each.
You are this.

In the body’s ghetto
never to go despising the asshole
nor the useful shit that is our clean clue
to what we need. Never to despise
the clitoris in her least speech.
Never to despise in myself what I have been taught
to despise. Nor to despise the other.
Not to despise the it. To make this relation
with the it : to know that I am it.

My friend Stanley Wolukau-Wanambwa, the man behind The Great Leap Sideways, is finishing his MFA in Richmond and debuting an extensive body of work Our Present Invention. More info here on his Tumblr. The title is taken from the Muriel Rukeyser poem “Despisals,” 1973, copied above. 

A Prairie opens tomorrow night, 4-7, at Andrew Rafacz Gallery in Chicago.